Read e-book online Adobe Photoshop CS3 Extended: Retouching Motion Pictures PDF

By Gary David Bouton

ISBN-10: 1598634615

ISBN-13: 9781598634617

ISBN-10: 1598636766

ISBN-13: 9781598636765

Adobe Photoshop CS3 prolonged: Retouching films is a hands-on, tutorial-based consultant full of real-world examples that run the gamut from video recovery to visible and lighting tricks, eco-friendly display and cut up monitor composite paintings, and integration of 3D content material from functions corresponding to Luxology modo, 3D Studio Max, and Cinema 4D. New positive aspects are completely documented, and the ebook is geared up in a realistic chronology, from uploading electronic video and different pictures on your computing device, to operating with clips in Photoshop, to results paintings, to rotoscoping and animation, to construction advanced composite paintings on layers, and eventually to generating, exporting, and archiving your paintings. Written from a Photoshop user's perspective, Adobe Photoshop CS3 prolonged: Retouching movies makes retouching video photos a transparent, forthright, and foolproof pastime. examine what you want to find out about NTSC and dossier layout criteria, fps charges, pixel sizes for electronic video, and extra to make the following logical stream on your content material production paintings, whereas operating in a favourite and conventional program.

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The Salvation Army is a worthwhile charity; you can turn around and redonate a prop when you’re done, and it’s a tax deduction. Let’s talk about frame rate for a moment. Some experts in cinematography and animation will tell you that about 15 fps is the least you can get away with before the viewer detects choppiness in the animation, thus dampening the illusion. For GIF animations, you are somewhat reliant on your audience’s computer speed and Internet connection, and through experience I’ve concluded that 10 fps produces acceptable motion for short animated sequences.

3. In File Options, you really have only one choice for a video with sound: QuickTime. Click the Settings button and then click Settings in the Video area. 4. Compression Type: Choose None from the drop-down list. 97, the same as the original MOV file. Compression: Millions of Colors; and Quality: Best on the slider. 7 million possible colors. Click OK, then click OK in the Options box to back out to the Render Video box. 5. You don’t have to fuss with the other File Options in this example; you set the Size to Document Size, and Photoshop then writes the file to the dimensions of my original AVI footage, 720 by 480 pixels.

Onion Skin. This is a feature used by traditional animators to see previous frames and future frames to better tween an effect into the composition. I show working with Onion Skin in Chapter 8. 12. Timeline zoom. Especially when working with long footage, it’s hard to see a specific point on the timeline where you want a mark in or mark out point. You drag to the little hills icon at left to shrink your view of the timeline and drag right to the mountains icon to zoom into the timeline. It works exactly like the slider on the Navigator palette, except it zooms time instead of image view.

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Adobe Photoshop CS3 Extended: Retouching Motion Pictures by Gary David Bouton

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