Mark Galer's Adobe Photoshop Elements 6 Maximum Performance PDF

By Mark Galer

Unharness the hidden strength for pro photo enhancing in Adobe® Photoshop® parts with this project-based, real-world guide.

Using step by step directions and accompanying motion picture tutorials, Mark Galer leads you thru the fewer famous and strongest post-production modifying ideas Adobe® Photoshop® parts has to provide. crafty tips and smart workarounds assist you to create expert pictures with out good points from the whole Adobe® Photoshop® package deal that you simply want yet don't need to pay for - practice projects you did not imagine have been attainable in Adobe® Photoshop® Elements!

Whether you are an imaging expert or a images fanatic, this booklet might help you get the utmost functionality out of your software program. learn the way to:
* Create awesome results with out advertisement lights or studio equipment
* expand the dynamic variety of your digicam by means of merging a number of exposures
* Optimize, improve and montage photos with wonderful results

The accompanying DVD offers vast aid with motion picture tutorials for all tasks, excessive answer pictures, multilayered documents of accomplished initiatives, a inventory library and a keyboard shortcut guide.

Mark Galer is a contract photographer, complete lecturer and best-selling writer of quantity books on images. he's an professional Adobe Ambassador for Adobe® Photoshop® and Adobe® Photoshop® parts.

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Extra resources for Adobe Photoshop Elements 6 Maximum Performance

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Likewise, the shadows may appear very dark, but they are not devoid of detail. Ansel was careful only to render holes as black (the absence of a surface). Any surface, even those in shadow, would render glorious amounts of subtle detail. Even though you have set your levels (as guided in Project 2 or 3) it is no guarantee that your highlight or shadow tones will be visible in the final print. To make sure the highlight detail does not ‘blow out’ (become white) and the shadow detail is not lost in a sea of black ink it is possible to target the highlights and shadows in your image to the brightest and darkest tones that the printer can reproduce.

When tall peaks appear at either end of the histogram you will lose shadow, highlight or color detail when you open the file to the main editing software. Careful adjustment of these sliders will allow you to get the best out of the dynamic range of your imaging sensor, thereby creating a tonally rich image with full detail. PERFORMANCE TIP Hold down the Alt key when adjusting either the Exposure or Shadows slider to view the point at which highlight or shadow clipping begins to occur (white or black indicates the point at which pixels lose detail in all channels).

Third, the mask has reappeared in a little thumbnail image to the right of the Adjustment icon in the Layers palette. This is called a ‘layer mask’ and it will hide any adjustments we make in the unselected portion of the image (the distant mountains and sky). Move the Highlight slider (the white triangle on the right) in towards the slopes of the histogram and move the central gray triangle (the Gamma slider) to the left to brighten the selected pixels. Note > The Adjustment Layer icon changes with the preferences set for this palette - so don’t worry if yours doesn’t look the same as mine.

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Adobe Photoshop Elements 6 Maximum Performance by Mark Galer

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