Download PDF by Jeff Foster: After Effects and Photoshop: Animation and Production
By Jeff Foster
If you are within the enterprise of movement snap shots or computing device electronic video creation, you recognize that Adobe's After results and Photoshop are of the main imperative content material production instruments. extra built-in than ever ahead of, the world's number-one compositing and image-editing courses can be utilized in tandem to create caliber paintings at a comparatively cost-effective. however it takes years of expertise to determine the best way to get the main out of this notable duo. With After results and Photoshop: Animation and construction results for DV and picture, snap shots guru Jeff Foster has created the 1st booklet dedicated to displaying how one can use those courses jointly to supply animations and results at the computer. This functional advisor focuses completely on recommendations regularly occurring within the box in addition to state of the art construction tips. those hands-on tasks will demystify cool Hollywood results and assist you resolve your day-by-day demanding situations. and they will motivate you to imagine extra artistically whilst imminent your creations.Inside, you will discover seasoned ideas for movement pictures and video creation, together with how to:Add intensity and realism for your animations via mimicking actual movement; Use exaggerated routine to augment characterization; practice 3-D animation to 2-D photographs; eliminate heritage fodder with blue-screen rubbish mattes; hire rotoscoping suggestions for frame-by-frame retouching; build sensible composites and scene destinations utilizing matte portray strategies; Make video clips from stills by way of simulating 3-D digicam movement; make the most of point of view, pace, and scale to create plausible relocating items; Produce practical lighting tricks similar to noise, clouds, and smoke; perform innovative movement titling results that seize people's cognizance; strengthen expert scene transitions utilizing three-D layer animations; and masses more!"
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Extra info for After Effects and Photoshop: Animation and Production Effects for DV and Film
11: Adding a little ambient light to the scene brightens up the layers and warms up the shadows. Animation with a Camera in Motion Now that you've experienced working with rotating and moving 3-D layers on an axis, positioning lights, and changing work views, it's time to explore working with cameras. Instead of just moving the 3-D layers, you can move the camera to zoom in on or fly by a scene with static layers. Combine this effect with layers in motion and you have a more exciting animation.
This will also add more depth to the view from the camera as it passes by. 18: Adjust the levels of Branch Layer 2 slightly darker than the first to add depth to the camera view. 4. 0. This will be our "bottom" branch on the tree as the camera passes through, and it creates another layer of depth. 19). 0. 19: Reposition the third branch layer to give added depth to the tree layers. 20). You will notice that the camera appears to be heading straight for the ground through the tree branches. There is no other scaling or zooming in this effect—only natural camera motion.
The exact location is not critical at this point, since we'll be animating the camera later on in this chapter. 30: Angle the camera down at the background layer by dragging the Point Of Interest handle. Drag the four stacked coin layers from the Project window to the Comp 1 window, from inside the CoinStacks folder in the Project window. While they are all still selected, convert them to 3-D layers and select the Casts Shadows Materials option. Then rotate all four selected layers 90° in the X-axis by opening up the Rotation settings on the Timeline.
After Effects and Photoshop: Animation and Production Effects for DV and Film by Jeff Foster