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By Mike Davis

With wit, humor and a awesome clutch of the political marginalization of the negative and dealing category by way of the 1%, Mike Davis, a Macarthur Fellow, Lannan Literary beginning Award winner and Isaac Deutscher Award recipient, crafts a notable safety of Occupy Wall highway and lays out good thought of subsequent steps to develop the flow.

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Extra info for Be Realistic: Demand the Impossible

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In many similar ads, there is no spatial or temporal distance between blackness and the products that its very subjection may yield for an Italian public on the brink of being conscious of blackness. Boccasile exploits brilliantly the novelty of black and white proximity in his iconic conflation of the product and the laborer. But if this trick is done outside of the context of official racial information, it actually marks a very significant moment in the history of cultural persuasion in Italy.

The zeb becomes rigid, now serving as a mast for the sails that carry the unwitting sailors and Mafarka all out to sea. The next morning the boat docks at Tell-el-Kibir, where the reigning king Bubassa is anxious to experience the "virtue" (virtu) of such an enormous zeb. He kneels down in anticipation, and at this moment, "Mafarka" enchains him and takes over the scepter. Thus ends the tale of a begger-who-becomes-King Mafarka by triumphing over a fictive black African king, told by the real King Mafarka dressed as a beggar, to a real black African king.

This was Marinetti's ultimate defense, and it was successful in securing him an acquittal in spite of certain inherent contradictions. First, the reader cannot help but read Mafarka as an alter ego of the author. In fact, Marinetti explained that as "human hero" Mafarka exemplified all the best qualities of the avant-garde artists: courage, strength, and resistance to feminine sexuality in general. He also exemplifies the avant-garde fantasy of generating life without a female womb. Yet Mafarka's monstrous body would seem to betray this Europeanism and so reveal a central contradiction facing the avant-garde: how to aestheticize for a more genteel public, with its own conceptions of "primitivism," what was most attractive (for white colonizers) about blackness, namely, the fact that the representation of the black body before a white public helped to normalize white domination.

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Be Realistic: Demand the Impossible by Mike Davis

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